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Gamelan gender wayang is a style of gamelan music played on Bali, Indonesia. It is required for wayang and other, most sacred Bali Hindu rituals. The smallest of gamelan ensembles, it requires only two players and is complete at four, the additional instruments doubling an octave above. Like other gamelan genres it incorporates delicate interlocking melodies and active contrapuntal movement, yet poses unique challenges in technique and composition. == Religious and cultural context == I Wayan Loceng reports that "Gender wayang, one of the most ancient musical ensembles existing in Bali, accompanies shadow theatre as well as tooth filings, cremations, and other religious ceremonies." He describes repertoire from Sukawati and attributes to the village greatest fame for shadow play and the development and maintenance of the ''gender wayang'' tradition.〔 , translated by Maria Bodmann 〕 The ensemble is ubiquitous in Bali, however, due to its ritual importance, and distinct regional styles feature divergent repertoire. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Gamelan gender wayang」の詳細全文を読む スポンサード リンク
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